For any serious student of David Bowie and his art in the Seventies, it is necessary to have a familiarity with Nic Roeg's 1976 esoteric science fiction movie The Man Who Fell to Earth, featuring Bowie in his first starring film role. Roeg's surreal movie has beguiled and baffled audiences since its release. The film explores, often in abstraction and allegory, the themes of alienation, power, love, trust and betrayal.

David Bowie is The Man Who Fell To Earth is a documentary that explores several aspects of the movie and Bowie's involvement. It looks at the way the film came together, at Roeg’s working methods, and it attempts to partly explain some of the meanings in the work. Also, it is known that Bowie and his music would be greatly influenced by the time he spent with Roeg working on the film: And so David Bowie is The Man Who Fell To Earth also tries to paint a small portrait of Bowie and his music during the era – from 1974 up to the 1977 album, Low. The film also ruminates on Bowie’s missing sound track for The Man Who Fell To Earth: After the filming, Bowie worked on music that was intended for the soundtrack to the movie. Famously, that music was not used and remains almost unheard to this day. However, elements of the unused music were later incorporated into subsequent albums. And so, as part of the story telling in David Bowie is The Man Who Fell To Earth, some of Bowie’s music from the era is used with re-edits of scenes from the movie, worked in with the interviews and commentary.

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Was Newton an alien?

In the first TV interview where he talks about the movie, Bowie becomes visibly irritated when host Russel Harty describes Bowie's Thomas Jerome Newton character as an alien, and he almost chastises Harty for his presumptuousness; "…it's assumed he's an alien from outer space, but it may not necessarily be true".

Yet on the surface at least, Newton is an alien, who has come to earth to transport water back to his own dying planet. And in interviews, Roeg always refers to Newton as an alien. Whereas Bowie doesn't seem so certain about Newton’s origins, or his mission. In the 1992 The Man Who Fell To Earth commentary, Bowie says, "Newton knows he's going to be betrayed, it's very obvious, but he seemingly doesn't do very much about it. So he must be here for some other purpose". As Bowie points out, there are Christ-like parallels. We could hypothesize that Newton’s falling to earth without any evidence of a space ship, is a kind of Immaculate Conception. And he arrives apparently a very pure being, who helps humanity advance and only seeks for himself a way to help his people. What are we to think is the "other purpose" Bowie mentions for him being here? Perhaps he came, like Christ to test human-kind? And we of course betrayed him. But in the end Newton wasn't born again. He becomes a ruined and lonely reflection of our contemporary human culture of decadence and self-destruction and immorality.

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00:00:00  Prologue

00:02:00  Chapter I  • All Things Begin & End in Eternity

00:13:15  Chapter II • Candy Clark & A New Career

00:26:17  Interval      • How Candy Clark Saved The Man Who Fell to Earth

00:28:58  Chapter III • How Does an Alien Act?

00:41:25  Chaper IV  • The Side Effects, The Sci-Fi & The Fall

00:57:20  Epilogue    • What Happened to The Visitor?

01:04:00  End

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The majority of the footage used in the documentary is of course from The Man Who Fell To Earth. But in addition another approximately fifty video sources were used. Of the many interview and other audio sources used, most notable is the excellent 1991 Roeg and Bowie commentary contained on the original laserdisc release of the film.

Sixteen partial David Bowie tracks were used, as either re-imagined parts of the movie soundtrack, and also fairly gratuitously as excuses to just add some rocking tunes that had new or revised visual elements put together for them.

Like a lot of my video projects, the documentary happened by accident. Whilst I was working on the video for Subterraneans in 2017, I decided that it would be good to have an accompanying video that compiled in a very simple way, all the relevant interviews with Bowie where he talks about the film, and his intentions to create a soundtrack for it. I imagined that at most, it would be a thing of about 15 or 20 minutes. However, as is usually the case with me, I went very deeply into it, and found a lot more material than I bargained for. It quickly became clear that here was a great story that needed to be told in film, and the thing just kept growing in size and in complexity. In the end I worked on it consistently and compulsively for over 6 months.

Along with the sourcing and the editing of the material, there was a lot of researching, in particular on Nic Roeg himself. Repeatedly listening / watching every interview I could find, I felt that I got to know a little of the workings of Roeg's creative mind, and I started to love the way he thought and expressed himself. Particularly relevant and enjoyable to me was the 1991 commentary of Roeg and Bowie, discussing TMWFTE. It really is a joy to listen to, and it’s very evident that Nic and Bowie were two very smart cookies, who liked each other very much, and understood each other very well.

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Nic was a genius and a visionary filmmaker. He was working in the film Industry for over 20 years before he directed his first movie. And what amazing movies he made. I love every one of his run of perfect films from 1970 - 1980: Performance, Walkabout, Don’t Look Now, The Man Who Fell to Earth and Bad Timing.

The opening I put together for David Bowie is The Man Who Fell to Earth, is an homage to the opening of Nic Roeg's 1980 movie, Bad Timing. Bad Timing is perhaps my favorite Roeg film - a tale of a doomed love affair, masochism, alcoholism, narcissism.

The opening of Bad Timing is set in an art gallery in Vienna, and a shot of Gustav Klimt's The Kiss. Whilst the scene unfolds Tom Waits wondrous song, "Invitation to the Blues" informs the mood of what we can expect. Art Garfunkel strolls around the room of Klimt's subtly eying up Therese Russel and Waits sings, "...wonder if she might be single, she's a loner and likes to mingle... Got to be patient, try and pick up a clue... this ain't nothing but an invitation to the blues". It's one of the greatest openings to a movie I've ever seen.

So for my film, I combined the scenes of Dr Bryce looking through the World Enterprises book, "Masterpieces in Paint and Poetry", pausing at Brueghels "Landscape and the Fall of Icarus", and its accompanying excerpt from the Auden poem.

I needed some David Bowie music from the era, that was in some way similar to the Waits song - a sad piano refrain, with lyrics that inform on what is to come. "Some Are", was perfect on both counts. "Some are bound to fail", Bowie sings, as we close up on the legs of the doomed Icarus, drowning in the sea, whilst apparently no one around him seems to care.

If you haven't seen it, do check out Nic Roeg's Bad Timing - it is a masterpiece.

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The original 2017 version of David Bowie is The Man Who Fell to Earth was online for a couple of years, and received a lot of views and positive reactions. Unfortunately it was abruptly taken down, when Vimeo de-platformed it without warning or explanation. Rather than simply put the original film up on an alternate platform, I decided to first try to make some improvements to it. Since the original version was made, my collection of Bowie footage has had many useful additions, and my editing skills have improved. So I’ve spent the last couple of months deep in editing myopia, refining the original work. There are still many ways I'd like to improve the work, and in fact here I am right up to the last minute, still making small changes. But today is the 45th anniversary of the 1976 premier, so I'm out of time. Perhaps I'll return to it in another 5 years, for the 50th anniversary.

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Anyway here are the fruits of the current labours. As I wrote back in 2017, at the very least what we have here is an hour in the brilliant and highly enjoyable company and art of Nic Roeg, David Bowie and Candy Clark.

Thanks for watching, hope you dig it!

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Reviews, endorsements, screening debut etc.

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David Bowie is The Man Who Fell To Earth was seen by both original director Nic Roeg himself, and by the movie’s co-star Candy Clark. Both of whom approved of it:

‘What a great documentary - so interesting.’ - Nic Roeg

‘Spectacular footage and commentary about the making of The Man Who Fell To Earth. Made me cry seeing David and listening to his pride about his work. Learned a lot that I didn't know. Nacho has done a beautiful job’ - Candy Clarke